During my time with Supermassive Games I worked on cinematic elements for the game, The Devil in Me as a Junior Game Designer (specialised in Cinematics). My work primarily involved the Curator Cutscenes and a few gameplay scenarios throughout the early parts of game. As part of my role I was taught to use Supermassive Games' custom Unreal Engine 4 tools, this allowed me to work off storyboards to bring scenes to life as attended by the script. However some scenes allowed me to be more creative, with the camera work, animations and scenery placement. Essentially I was similar to a director, I dictated how the scene would look and perform.

I also had the opportunity to work with Motion Capture data, one of Supermassive Games' custom tools gave me the ability to work with the data to make both archived and new animation data flow seamlessly together. While at times I would have to fix some Motion Capture data, that was either faulty or needed minor tweaks. Anything that needed further fixing would be sent off to the animation department.

 

A small part of my duties was also working with localization and audio dialogue. 

I worked closely with my fellow designers, producers, animators and sound designers, we all worked together to create the best and atmospheric scenes for the game. We had many play tests and design reviews to breakdown each others work and offer suggestions to make the scenes reach their full potential.

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Areas of the game I worked on:

• All Curator scenes

• H.H. Holmes Hotel

• The Air Chamber (contributed)

• Incinerator (contributed)